Adios Hollywood Joe (1911-2006)

This has been a bad year for losing people. I know I said that last year and the year before that, but this year has been especially bad. Alex Toth, Ed benedict and now Joe Barbera.
H-B in it's heyday was where any kid interested in animation in the 1960's wanted to work (in fact I'm told that master animator and historian Mark Kausler actually ran away from home at 16 to go to Hollywood and become an animator. He essentially ran away ...to Hanna-Barbera productions in L.A.).

I snapped this pic as I was driving by the old H-B Building on Cahuenga in the mid-90's. Production activity had dropped off to next to nothing by this point in time...But at least the building itself was still in use and both Bill and Joe were still walking it's halls. Now Bill's gone, Joe's gone, the building is gone and their names have all-but-disappeared from public daily viewing.

Well, unless you happen to be on Hollywood Boulevard...(or watching Boomerang, I guess). I love how even though I took this picture probably 15 years ago, light appears to be shining on Joe's name.

The Tom and Jerry unit with the seven oscars the team garnered during their run on the original Tom and Jerry series. A moment frozen in time from Animation's golden age.
When I first came out to to LA it was the early 1990's and I was actually working on a Tom and Jerry project. The call for reference went out and a couple of things surfaced I hadn't expected...one was a rough storyboard for a good portion of Nit-Witty Kitty (1951) I was immediately struck by how both raw and totally on-target this short-hand board was. "Wow, who did these?" I got an answer I wan't expecting --"Joe Barbera". What?? Joe drew? I asked naively (up to that point I had always thought of Joe as more of a businessman than an artist). "Whaddaya mean? He drew great! Those are his story sketches" growled my peer, (a little aggravated by my ignorance) "He always knew EXACTLY what he wanted and he was able to translate it, as well as synthesize other ideas elequently for the layout guys." I didn't know it then, but I have since found out, it was true!
Here's a twelve-page example...
The Setup: Tom has experienced "a sharp blow to the head" while chasing Jerry and now he thinks he a mouse. Mammy Two-Shoes (having inadvertantly administered the blow) is distressed about Tom's condition...but the more he acts like a mouse, the more her fear of mice overrides her concern...



























Check out this frame grab from the finished cartoon.
See how the close the attiude and pose is to Joe's original sketch.










This one too...












Yup...that plays just like the Tom and Jerry Cartoon alright.
Joe co-produced and directed hundreds of MGM cartoons before they ever made a penny off of television, the medium they created hundreds of animated programs for ...and what they're probably most remembered and revered (and lambasted) for. I have several posts planned around some old H-B shows coming up soon...so with that in mind, (and the original idea that I was going to TRY to keep this post short) I'm gonna jump all the way into the mid-1990s with sa little genuine (and long overdue) "Hollywood Joe" appreciation...


Now, here's the big lug as we know and love him. A meat-eatin', life-lovin', Pope-meetin', cartoon-makin' Maverick! His visage is featured here with pride... appearing as a cut-out mask on the back of the 1995 H-B/Spumco produced "Huckleberry Hound Show" cel painting kit
box! Now if it only worked the mask in the movie The Mask.

John K's unique instructions for proper Joe Barbera mask use and etiquette. Oddly --as I write this, John just appeared on TV Land talking about Joe and how the catch-phrase "Yabba Dabba Doo!" came to pass. It makes me realize more than ever just how many of us in the industry today are here because of Joe. The world today is a very different and more joyous place than it would 've been without him. Thanks again, Buddy!

Ladies and Gentlemen, Mr. Barbera has left the building. Good luck and Godspeed, Joe...
You'll be missed.

Thanks and best wishes for this post go out to the Barbera family, the extended Hanna-Barbera family, John Kricfalusi, Spumco, J. D. Suggs, J. Riechek, Leonard Maltin and Patrick Brion.

The Fantasti-car revealed

So here's the first look at the long-awaited, Kirby-created, big-screen version of the FF's primary flying, firing and dividing vehicle "The Fantasti-car"...or at least a big chunk of it. Interesting here that The Thing isn't present for this photo-op...and it's kinda hard to tell for sure if there's a seat for him in this nutty gizmo or not. But here (most of ) it is, regardless! The other 3 lead actors from next summer's release are present, (Alba looking more like Sue from the comics here than the first film) all apparently posing for their FF2 action-figure photos...

It sure ain't no flyin' bathtub! ...Maybe a little "Flying Sub" from Voyage to the Bottom of the Sea in there though. (I still wish it had reflected more of Jolly Jack's original designs...oh well...)

Compleat Bob Clampett

I recently wrote an article for a fanzine about "The 1970s and the Dark Days of Animation Fandom". And it's true --animation as an art form went underground in the during the '70s both literally and figuratively. If you could find ANY info about classic cartoons you were batting 500...and odds were you would find it in a fan-produced magazine. Arguably the best of what was around was David Mruz's pocket-sized digest mag Mindrot. It regularly boasted such contributors as Jerry Beck, Jim Korkis, Mark Kausler and Paul Etcheverry among others.
Issue twelve (from Nov. 1 1978) was a full issue dedicated to Bob Clampett, containing rare interviews with Bob himself and analysis of some of his best-loved classic cartoons. Also in that issue was a complete listing of all Bob's cartoon work from 1937 - 1962. (Just no decades' worth of the Time for Beany Puppet Show episodes, unfortunately ) So without further ado, here's the full Bob Clampett cartoon listings, as they originally appeared in Mindrot--compiled by Mark Kausler and Paul Etcheverry, with some extra and color artwork thrown in by me. Revel!

















Bravo! Just too bad for all of us that this already-prolific list isn't twice as long.
To provide some balance I have some clips from Time for Beany I may just have to You Tube here sometime soon. Sure would be great to see a DVD release of all those long-lost shows.

My thanks to this post go out to David Mruz, Mark Kausler, Paul Etcheverry, Sody Clampett, and the Norse God of the funny and ridiculous, Robert "Bob" Clampett!

Happy Monkey Day!

Happy Thanksgiving!
Does this face say Turkey day at your house?
Some of you older readers will remember that Thanksgiving used to --and sometimes still doubles as King Kong day! Yep, if you had cable 20-25 years ago you'd know that Thanksgiving was also the "Day of Great Apes" thanks to the programmers at WOR in New York. For a number of years they'd always show the original King Kong early on Thanksgiving afternoon, followed by at least 2 additional Giant Gorilla movies --and more often that not, It'd be Son of Kong then Mighty Joe Young. (which was always followed up on Friday by 3 more features of Godzilla movies.) And the tradition --albeit in subtle fashion--that holidays have also meant Mammoth Monkeys has continued for some time. Consider that the original King Kong was released at the beginning of the year 1933 and Son of Kong (rushed into production) came out December of that same year...PLUS the last three movies with King Kong in the title (spanning 30 years) were ALL released within 5 days of each other in mid-December. AND- just last year TCM made sure Thanksgiving week was throughly-Kong dominated with the long-awaited DVD release of the original 1933 film (in a box set with --you guessed it-- Son of Kong and Mighty Joe Young) as well as a Holiday airing of the movie and a new Turner production (also on the DVD) of I'm King Kong: The Merian C. Cooper story. So who am I to fly in the face of tradition? --in doing my part this year to keep Super-Simians as much a part of the holidays as tensil and those plug-in candles with the screw-in blubs, (plus since I'm still behind on my Halloween postings) here's your Arglebargle quota of Kong for the weekend. Dig in!

King Sized B.S.
One of the more interesting things to me about the promotion of Merian C. Cooper's King Kong was the tapestry of lies the studio endorsed when it came to the how and why of the groundbreaking special effects. Several pieces of production art were prepared, supposedly providing "the real story" of how the effects were accomplished --unfortunately there wasn't a whole lot of truth to them. The story I've heard is that the studio really didn't want folks to know how the effects were done so they did this to hopefully steer any rival studios down the wrong path. Which seems really odd now, considering Willis O'Brien's stop-motion techniques were not exactly headline news in 1933...He had already stunned the world with pixilated Dinosaurs running around London EIGHT YEARS earlier In the Arthur Conan Doyle's The Lost World (1925!) (click to enlarge)

This studio explanation ran many years later as a double page spread in Famous Monsters magazine early all King Kong issue.


It actually made a connection between the non-existant Kong costume, and the that-era, ape-costume actor Charles Gemora. While there was no truth to the fact that Gemora played Kong onscreen, Rumors persisted up to, and even after his death when the papers reported that "Charles Gemora, the man who played King Kong has died." I'd love to know the real connection is with that story...(click to enlarge)

UPDATE: Hey, ask and ye shall receive, I guess! (It sure didn't take long to get a response...)

Buzz Wrote:
"The Charles Gemora misconception/connection to KONG can be traced to an uncompleted short subject he worked on. The short used marrionettes that were caricatures of Hollywood celebrities. The climax would have been a re-enactment of KING KONG with Gemora holding a Mae West marionette (IIRC). Why the short was never completed, I don't know, but stills from it have appeared in a couple of books on Hollywood films".
...and Jimtex wrote:
"The apesuited Charles Gemora and Mae West marionette pic is in the book "The Making of King Kong" by Orville Goldner and George E. Turner. It was from an abandoned (due to its high cost) three-color Technicolor short entitled "The Lost Island".

Thanks for reminding me Jim, I actually have that book (I knew I'd seen that still somewhere, --I think it was before Bob Burns gave me a course in the various Hollywood Gorilla-men and their esteemed careers-- I just had forgotten it was the Gemora suit in this shot!)
Here's that very-rare still from that very-rare book. Enjoy!


Kong Cards & Comics etc.

One of the harder card sets to get nowadays is the 1960's set of the original Kong movie. Here's six cards from that set that sold on eBay a couple of years back (...for a fairly hefty price as I recall).


Here's yet another blast from the past...


This little Kong ditty ran in a the seventh issue of the 1970's newspaper-mag The Monster Times...which ironically had a Godzilla cover (above ) To my knowledge it's never been reprinted outside of that forum, so enjoy! (and, as always click to enlarge)



While we're on the subject of TMT, Gray Morrow provided this outstanding version of the King of Skull Island for the very first issue of that little mag back when it premiered in 1971.

Rounding out this section with this great foreign Kong poster that looks almost as much like super-cool model box art.

And speaking of offbeat...check out this publicity still that has Kong squaring off against the same Stegosaur that gave Carl Denham and co. troubles early in their adventures on Skull Island (In the film they never actually met).

which brings us to...

...That Elusive Spider Scene.


Here's the biggest, nicest still I could find from the "lost spider pit sequence" from the original King Kong. Consider it a concellation prize for any spider-scene promises you might've received by anyone else in the last year. Hoo-Boy.
Okay, I'll explain...
William Stout and I got into an interesting conversation at his table at San Diego Con in 2005. I told him I was working on a King Kong rarities DVD and we started talking about the lost Kong Spider scene. He suddenly got kind of seroius and leaning forward said "Hey, ya know what we oughta do...we oughta do a fake one. Y'know...the entire sequence!"
Fake the whole scene? I laughed. Sure! That'd be great...I'm totally onboard.
We loosely talked about what would be needed to do tackle such a herculean task. It was mostly just wishin', but it was fun to speculate on the possibilities. (Besides, if he was at all serious I definitely wanted in!
Little did we suspect that half a world away in New Zealand that very thing was happening for real at Peter Jackson's King Kong special effects unit. Their version of the lost Spider scene was being prepared as an extra for the springtime release of Jackson's Kong to DVD. I was pre-sold on the disk based based on that nugget alone...since it was one I had given semi-serious consideration to myself. I bought the disk the day it came out and watched the extras --including their Spider scene-- right away, before I even looked at the movie again.
When I saw Bill Stout again at this past summer's Comicon it wasn't long before our talk came around to Jackson's Kong DVD.
So, how 'bout that Spider sequence? I pointedly asked.
He rolled his eyes and shook his head.
What a shame. "With the same money and materials we could've really kicked some ass!"
"We at least would've hired look-alike actors to double for the 1930s actors they were supposed to be replacing ...Sheez!"
We had pretty much the same opinion that the live "actors" in the sequence didn't look like like the seafarin' type --they looked like animators (which they were)...all white and doughy. (They didn't act much like actors either if you ask me...)
Plus --as was the case with almost every scene that was shot green screen for The Jackson Kong, every actor was rim-lit.
Rim-Lit??? You SHOW me a scene in 1933 Kong where a crowd shot is rimlit! The lighting between the new fleeing Venture crew scenes and the original Kong sailor footage don't even come close to matching. So many aspects of this production are nearly-maniacal in their meticulousness (the recreation and construction of period models, using original time period equipment, replication of technique, etc., etc...)that it's almost unfathomable to me how both showy AND slip-shod the overall un-Merian C. Cooper-esque parts of the newly-finished sequence feel.
They had all the resources. They had previously unimaginable --almost magical-- holy-grail-type reference materials as well as half the money in the world to make sure the match of new footage to the original 1933 film was seamless as Klaatu's saucer.
Why? How could this have turned out so disappointingly? I can't tell you how let down I was by the final product. It was like having a can't-lose date with a porn-star supermodel, who during the course of the date tells you she's becoming a nun and is now celibate.
For me it really came down to this...When I hear "Spider scene from King Kong" I would naturally expect to see the ABOVE SCENE in motion.
WHERE THE HELL WAS THIS SCENE?? Where was THIS SPIDER?
I didn't even need an entire bogus sequence, just that scene in motion woulda done it for me!
All that I wanted was to see what proceeded and followed this frozen film frame I'd first laid eyes on in Famous Monsters magazine when I was twelve.
Instead we get some scuttling, fast-moving, big-assed, Tim Burton inspired-looking beastie, and a bunch of other un-Obie looking (in my opinion) 21st century critters. Thanks loads.
But okay, It's Thanksgiving...I'm off the soapbox (I've just been needin' to blow off some steam about that whole deal for awhile now).

Big thanks for this post go out to Merian C. Cooper, Willis O'Brien, Gray Morrow, Steve Hickman and John Simons, The Monster Times, Time Warner, Forrest J. Ackerman and William Stout ...I couldn'ta done it without ya.

I do have more animation and art-related posts coming up soon so you art-fans hang in there.
'Til then...Happy Holidays!